Pink Floyd Gave 'The Wall' Children's Choir an Education, Teacher .

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In 1979, Alun Renshaw was the question of medicine at Islington Green School, a struggling public high school in inner-city London. He was a radical teacher; he wore blue jeans, smoked in class and had a bill of the Sex Pistols' 'Never Mind the Bollocks' above his desk. "I was a rather controversial figure," he tells Spinner.

Thirty days later, he can add subject of a proposed Hollywood picture to his resume. That's because it was Renshaw who arranged for a grouping of students to talk on 'Another Brick in the Wall, Part II,' from Pink Floyd's classic rock opera, 'The Wall.' With the lyrics "We don't want no training" and "Hey, teacher, leave them kids alone," that diatribe against the English school system caused quite the controversy when it hit the charts more than three decades ago. Now that film producer Andy Harries of 2006's 'The King' has announced plans to create a movie based on Renshaw's life, the controversial tune is the unlikely inspiration for a film described as 'School of Rock' meets 'Dead Poets Society.' Renshaw, who never bothered to realize the plan with the school's headmistress or the student's parents and ended up getting fired for his efforts, says he didn't make reservations about the lyrics at the time, and certainly doesn't now. "The lyrics are bloody true," he says. "It was an album about [Pink Floyd singer-bassist] Roger Waters' life; he wasn't attacking the training system, but the training system he was taught under."Watch Pink Floyd's Video for 'Another Brick in the Wall, Part II' Before Renshaw arrived at Islington Green School, music was a conservative subject. Students would sit idle while teachers drilled music theory or rattled on about Mozart and Beethoven. Renshaw took a hands-on approach. He wanted students to have and experimentation with sound, and his methods were somewhat unorthodox. He might leave his family out in the streets to listen to the dealings and subsequently ask the students to describe what they heard, or have pupils slapping the walls in the school's corridors, classrooms and bathrooms to exemplify the effects of reverberation. "If we paint pictures in an art class, why don't we experiment with good in a music category? At that time, it was a bizarre curriculum. But to me it was common sense." Then one autumn day in 1979 an uneasy sound engineer named Nick Griffiths turned up at the school. Pink Floyd had already completed tracking 'The Wall,' leaving Griffiths to add finishing touches and sound effects to the theatrical album. When he arrived at Islington Green School he was up against a tight deadline; he required a choir, and fast. Renshaw thought it would be a great for students to get a real-world recording studio. He collected a grouping of 23 students that he thought could talk and marched them round the box to Britannia Row studios. The students sang the chorus a bit of multiplication and Griffiths later multi-tracked the voices to emulate a huge choir. For compensation, the school's music department received 1,000, and after a platinum record award, which hangs in the principal's office to this day. For their contribution, the students got bragging rights. With its disco backbeat and sing-along chorus, 'Another Brick in the Wall, Part II,' was the low one from Pink Floyd's 'The Wall' and became the band's first and just No. 1 hit on the UK's singles chart. But when the tabloids started tossing around allegations of the development of children at the men of millionaire rock stars, the school board came down heavily on the staff of Islington Green School. As a result, Renshaw was canned. The controversial teacher missed much of the resulting hullabaloo. While it was a hot topic, he traveled to Australia to get a major study in Brisbane. He so enjoyed Australia that he opted to delay for good. He insists it wasn't bad press that prompted this act but a change in the training system under former conservative Prime Minister Margaret Thatcher, who, at that time, was secretary of education. "The clouds of conservatism were rising. It was becoming a schooling system based on grades, rather than on inspiring vision and encouraging free thinking," he says. "I had revolutionary ideas; I wanted to cover the students as people." Today, Renshaw resides just outside Sydney where he enjoys a distinguished career as a composer and music educator, and currently runs Murder Life Records, an independent record label formed to publish his nephew's hardcore rap and metal records. Since news of the proposed film broke, some 30 or 40 former students have reached out over Facebook to thank Renshaw for his somewhat unorthodox approach to education.Watch Roger Waters Perform Live During 'The Wall Tour 2010' But before the film moves forward, Harries must get Waters to correspond to permit the song. With Waters's recent stadium tour of 'The Wall' winding down and rumours of a full-scale Pink Floyd reunion once again ramping up, this could be a fortuitous time. However, Waters is the character of unpredictable rock star that's made a calling of doing the opposition of what is expected. At this sentence there is no guarantee that the movie about a controversial teacher and a grouping of students that sang on a classic rock anthem will always hit box offices. Nevertheless, Renshaw is enjoying his 15 minutes of fame. "I feel a bit like Robin Williams in 'Dead Poets Society,'" he says. "It's wonderful to get the recognition."