Cool Single Woman Song Titles images

A few nice single woman song titles images I found:

Lauren Hill


Image by PeterTea
Lauryn Hill Biography
Source: www.lauryn-hill.com/history.html
BORN: May 26, 1975
"Hey, it`s my album! Who else can assure my story better than me?" says Lauryn Hill, chanteuse, rapper, songwriter, actress, activist and mother.

She`s talking around The Miseducation of Lauryn Hill (RuffHouse/Columbia), her solo debut album and one of the most hotly-anticipated records of 1998.

Produced by Lauryn herself, The Miseducation of Lauryn Hill is a deep personal album, running the gamut from affairs of the kernel to socio-political issues, set against a sonic backdrop displaying the remarkable gift of this young native of South Orange, New Jersey. The title, according to Hill, shouldn`t be interpreted too literally. The doe-eyed 23-year old, who completed her freshman class at Columbia University, explains: "_ the conception of `Miseducation" is not really miseducation at all. To me, it`s more or less switching the language_ it`s really about the things that you`ve learned outside of school, outside of what society deems appropriate and mandatory. I possess a lot of honor for academia_ But there was a lot that I had to learn * life lessons * that wasn`t part of any scholastic curriculum. It`s actually our passage into adulthood when we forget that position of idealism and naivete."

Lauryn`s eagerly-anticipated solo opus has been a long time coming. Critics, who were first privy to Hill`s mellifluous, sometimes gritty alto on the Fugees` 1993 debut, Blunted on Reality, suggested she break free of the constraints of the radical and go solo. The critics obviously missed the point. Undaunted, Hill stuck to her principles, which included fierce loyalty to the group, and went on to co-write, co-produce and do as featured performer on the Fugees` sophomore offering, The Score. The rest, so the proverb goes, is history. The album went on to rack up sales of over 17 million units, making the Fugees the biggest-selling rap group of all time.

With fellow cohorts, Prakazrel "Pras" Michel and Wyclef Jean, Lauryn also garnered two 1996 Grammy awards: Best Rap Album for The Score and Best R&B Performance By A Duo Or Group With Vocal for Lauryn`s poignant cover of the Roberta Flack classic "Killing Me Softly." That i became the hip-hop anthem of 1996 and firmly insuring the Fugees` success in the upper echelons of pop music`s colorful history.

The new woman - who Public Enemy`s Chuck D admiringly describes as "sun" and a "Bob Marley (of the) 21st Century," has documented her glorious, multi-faceted life on record. The Miseducation of Lauryn Hill - like its author/protagonist - is confrontational, strong, forthright, and intelligent, while retaining a delicate, sensitive balance. This young auteur steps fearlessly into the musical arena, dealing with subjects that are near to her heart. At times, her temper is wry and open and her anguish and anger startling, but she is never bitter. She has been galvanized by her life experiences.

"I`m faithful to all of them," she says, almost maternally, about her songs. "Every time I got hurt, every time I was disappointed, every time I learned, I only wrote a song," she explains, "but the call that touches me the most is the one near my son." "Joy of My Man is in zion" is for those "_who may give thought I was all that, but here is approximately of the trouble I was passing through. Here`s my human face_ It was really foreign to me how this became an issue * this determination of mine. But what began as something dark became the brightest and most significant matter to me."

The Miseducation of Lauryn Hill forays into hip-hop territory with cuts like "Doo Wop" and the Jamaican-tinged grooves of "Lost Ones." Throughout the album, Hill`s delicious vocals engage and captivate. Musically, she brings a passion and predisposition to the voice of The Miseducation of Lauryn Hill and displays her extensive knowledge of the works of the studio as producer on this stunning debut. She is undaunted by the fact that this sphere of transcription is considered mainly male territory. "Men take a tough time taking direction from women, but when you pay somebody, you pay them to get it right, " she says. "I believe that women will be called `bitches` and `difficult to go with` if they ask for and get what they want. So I don`t pay attention to that at all. Music is so crucial to me and how I get across in medicine is so important. I`m a perfectionist. If I take to do it a 100 times, I`ll do it a 100 times!"

And though men`s attitudes towards women in the industry riles her, she forges ahead. The Miseducation of Lauryn Hill is show of her self-assured attitude as a well-rounded artist and studio technician. Her skills as a prolific songwriter have led to her writing songs for various artists. She wrote and produced "On That Day" for gospel artist CeCe Winans, and, in addition to writing the strike hit title cut for Aretha Franklin`s current album, A Rose is Still a Rose, Lauryn also directed song`s accompanying video. She has proved herself to be a versatile performer and producer.

Her immense talent transcends gender-specific constraints. "Men like it when you talk to them. But step out and try and see things and there are doubts. This is a very sexist industry," she opines. "They`ll never have the champion title to a sister. They`ll simply call her `diva` and remember it`s a compliment. It`s like our style and conceit are put before our musical and intellectual contributions."

Having spent her often of her formative age in the nation`s spotlight, first as an actress (she appeared in a recurring character in "As the Man Turns" and was featured in "Sister Act II: Back In the Habit") and now as a multi-platinum artist who yet finds time for charitable causes (she is the father of non-profit organization, The Refugee Camp Youth Project, whose manifesto is based on giving support to the community and up the character of living for inner-city children), Lauryn Hill has very often come into her own and The Miseducation of Lauryn Hill is the musical proof. As Lauryn Hill, the hip-hop groundbreaking genius, puts it, "I wish my music to meet real people. I`m still trying to see myself out, like most people_. because I`m still living and learning_"

Lauren Hill


Image by PeterTea
Lauryn Hill Biography
Source: www.lauryn-hill.com/history.html
BORN: May 26, 1975
"Hey, it`s my album! Who else can assure my story better than me?" says Lauryn Hill, chanteuse, rapper, songwriter, actress, activist and mother. She`s talking around The Miseducation of Lauryn Hill (RuffHouse/Columbia), her solo debut album and one of the most hotly-anticipated records of 1998.

Produced by Lauryn herself, The Miseducation of Lauryn Hill is a deep personal album, running the gamut from affairs of the kernel to socio-political issues, set against a sonic backdrop displaying the remarkable gift of this young native of South Orange, New Jersey. The title, according to Hill, shouldn`t be interpreted too literally. The doe-eyed 23-year old, who completed her freshman class at Columbia University, explains: "_ the conception of `Miseducation" is not really miseducation at all. To me, it`s more or less switching the language_ it`s really about the things that you`ve learned outside of school, outside of what society deems appropriate and mandatory. I possess a lot of honor for academia_ But there was a lot that I had to learn * life lessons * that wasn`t part of any scholastic curriculum. It`s actually our passage into adulthood when we forget that position of idealism and naivete."

Lauryn`s eagerly-anticipated solo opus has been a long time coming. Critics, who were first privy to Hill`s mellifluous, sometimes gritty alto on the Fugees` 1993 debut, Blunted on Reality, suggested she break free of the constraints of the radical and go solo. The critics obviously missed the point. Undaunted, Hill stuck to her principles, which included fierce loyalty to the group, and went on to co-write, co-produce and do as featured performer on the Fugees` sophomore offering, The Score. The rest, so the proverb goes, is history. The album went on to rack up sales of over 17 million units, making the Fugees the biggest-selling rap group of all time.

With fellow cohorts, Prakazrel "Pras" Michel and Wyclef Jean, Lauryn also garnered two 1996 Grammy awards: Best Rap Album for The Score and Best R&B Performance By A Duo Or Group With Vocal for Lauryn`s poignant cover of the Roberta Flack classic "Killing Me Softly." That i became the hip-hop anthem of 1996 and firmly insuring the Fugees` success in the upper echelons of pop music`s colorful history.

The new woman - who Public Enemy`s Chuck D admiringly describes as "sun" and a "Bob Marley (of the) 21st Century," has documented her glorious, multi-faceted life on record. The Miseducation of Lauryn Hill - like its author/protagonist - is confrontational, strong, forthright, and intelligent, while retaining a delicate, sensitive balance. This young auteur steps fearlessly into the musical arena, dealing with subjects that are near to her heart. At times, her temper is wry and open and her anguish and anger startling, but she is never bitter. She has been galvanized by her life experiences.

"I`m faithful to all of them," she says, almost maternally, about her songs. "Every time I got hurt, every time I was disappointed, every time I learned, I only wrote a song," she explains, "but the call that touches me the most is the one near my son." "Joy of My Man is in zion" is for those "_who may give thought I was all that, but here is approximately of the trouble I was passing through. Here`s my human face_ It was really foreign to me how this became an issue * this determination of mine. But what began as something dark became the brightest and most significant matter to me."

The Miseducation of Lauryn Hill forays into hip-hop territory with cuts like "Doo Wop" and the Jamaican-tinged grooves of "Lost Ones." Throughout the album, Hill`s delicious vocals engage and captivate. Musically, she brings a passion and sensibility to the voice of The Miseducation of Lauryn Hill and displays her extensive knowledge of the works of the studio as producer on this stunning debut. She is undaunted by the fact that this sphere of transcription is considered mainly male territory. "Men take a tough time taking direction from women, but when you pay somebody, you pay them to get it right, " she says. "I guess that women will be called `bitches` and `difficult to play with` if they ask for and get what they want. So I don`t pay attention to that at all. Music is so crucial to me and how I get across in medicine is so important. I`m a perfectionist. If I take to do it a 100 times, I`ll do it a 100 times!"

And though men`s attitudes towards women in the industry riles her, she forges ahead. The Miseducation of Lauryn Hill is show of her self-assured attitude as a well-rounded artist and studio technician. Her skills as a prolific songwriter have led to her writing songs for various artists. She wrote and produced "On That Day" for gospel artist CeCe Winans, and, in addition to writing the strike hit title cut for Aretha Franklin`s current album, A Rose is Still a Rose, Lauryn also directed song`s accompanying video. She has proved herself to be a versatile performer and producer.

Her immense talent transcends gender-specific constraints. "Men like it when you talk to them. But step out and try and hold things and there are doubts. This is a very sexist industry," she opines. "They`ll never have the champion title to a sister. They`ll simply call her `diva` and remember it`s a compliment. It`s like our style and emptiness are put before our musical and intellectual contributions."

Having spent her often of her formative age in the nation`s spotlight, first as an actress (she appeared in a recurring character in "As the Man Turns" and was featured in "Sister Act II: Back In the Habit") and now as a multi-platinum artist who yet finds time for charitable causes (she is the father of non-profit organization, The Refugee Camp Youth Project, whose manifesto is based on giving support to the community and up the character of living for inner-city children), Lauryn Hill has very often come into her own and The Miseducation of Lauryn Hill is the musical proof. As Lauryn Hill, the hip-hop groundbreaking genius, puts it, "I wish my music to meet real people. I`m still trying to visualize myself out, like most people_. because I`m still living and learning_"

Lauren Hill


Image by PeterTea
Lauryn Hill Biography
Source: www.lauryn-hill.com/history.html
BORN: May 26, 1975
"Hey, it`s my album! Who else can assure my story better than me?" says Lauryn Hill, chanteuse, rapper, songwriter, actress, activist and mother. She`s talking around The Miseducation of Lauryn Hill (RuffHouse/Columbia), her solo debut album and one of the most hotly-anticipated records of 1998.

Produced by Lauryn herself, The Miseducation of Lauryn Hill is a deep personal album, running the gamut from affairs of the kernel to socio-political issues, set against a sonic backdrop displaying the remarkable gift of this young native of South Orange, New Jersey. The title, according to Hill, shouldn`t be interpreted too literally. The doe-eyed 23-year old, who completed her freshman class at Columbia University, explains: "_ the conception of `Miseducation" is not really miseducation at all. To me, it`s more or less switching the language_ it`s really about the things that you`ve learned outside of school, outside of what society deems appropriate and mandatory. I possess a lot of honor for academia_ But there was a lot that I had to learn * life lessons * that wasn`t part of any scholastic curriculum. It`s actually our passage into adulthood when we forget that position of idealism and naivete."

Lauryn`s eagerly-anticipated solo opus has been a long time coming. Critics, who were first privy to Hill`s mellifluous, sometimes gritty alto on the Fugees` 1993 debut, Blunted on Reality, suggested she break free of the constraints of the radical and go solo. The critics obviously missed the point. Undaunted, Hill stuck to her principles, which included fierce loyalty to the group, and went on to co-write, co-produce and do as featured performer on the Fugees` sophomore offering, The Score. The rest, so the proverb goes, is history. The album went on to rack up sales of over 17 million units, making the Fugees the biggest-selling rap group of all time.

With fellow cohorts, Prakazrel "Pras" Michel and Wyclef Jean, Lauryn also garnered two 1996 Grammy awards: Best Rap Album for The Score and Best R&B Performance By A Duo Or Group With Vocal for Lauryn`s poignant cover of the Roberta Flack classic "Killing Me Softly." That i became the hip-hop anthem of 1996 and firmly insuring the Fugees` success in the upper echelons of pop music`s colorful history.

The new woman - who Public Enemy`s Chuck D admiringly describes as "sun" and a "Bob Marley (of the) 21st Century," has documented her glorious, multi-faceted life on record. The Miseducation of Lauryn Hill - like its author/protagonist - is confrontational, strong, forthright, and intelligent, while retaining a delicate, sensitive balance. This young auteur steps fearlessly into the musical arena, dealing with subjects that are near to her heart. At times, her temper is wry and open and her anguish and anger startling, but she is never bitter. She has been galvanized by her life experiences.

"I`m faithful to all of them," she says, almost maternally, about her songs. "Every time I got hurt, every time I was disappointed, every time I learned, I only wrote a song," she explains, "but the call that touches me the most is the one near my son." "Joy of My Man is in zion" is for those "_who may give thought I was all that, but here is approximately of the trouble I was passing through. Here`s my human face_ It was really foreign to me how this became an issue * this determination of mine. But what began as something dark became the brightest and most significant matter to me."

The Miseducation of Lauryn Hill forays into hip-hop territory with cuts like "Doo Wop" and the Jamaican-tinged grooves of "Lost Ones." Throughout the album, Hill`s delicious vocals engage and captivate. Musically, she brings a passion and sensibility to the voice of The Miseducation of Lauryn Hill and displays her extensive knowledge of the works of the studio as producer on this stunning debut. She is undaunted by the fact that this sphere of transcription is considered mainly male territory. "Men take a tough time taking direction from women, but when you pay somebody, you pay them to get it right, " she says. "I guess that women will be called `bitches` and `difficult to play with` if they ask for and get what they want. So I don`t pay attention to that at all. Music is so crucial to me and how I get across in medicine is so important. I`m a perfectionist. If I take to do it a 100 times, I`ll do it a 100 times!"

And though men`s attitudes towards women in the industry riles her, she forges ahead. The Miseducation of Lauryn Hill is show of her self-assured attitude as a well-rounded artist and studio technician. Her skills as a prolific songwriter have led to her writing songs for various artists. She wrote and produced "On That Day" for gospel artist CeCe Winans, and, in addition to writing the strike hit title cut for Aretha Franklin`s current album, A Rose is Still a Rose, Lauryn also directed song`s accompanying video. She has proved herself to be a versatile performer and producer.

Her immense talent transcends gender-specific constraints. "Men like it when you talk to them. But step out and try and hold things and there are doubts. This is a very sexist industry," she opines. "They`ll never have the champion title to a sister. They`ll simply call her `diva` and remember it`s a compliment. It`s like our style and emptiness are put before our musical and intellectual contributions."

Having spent her often of her formative age in the nation`s spotlight, first as an actress (she appeared in a recurring character in "As the Man Turns" and was featured in "Sister Act II: Back In the Habit") and now as a multi-platinum artist who yet finds time for charitable causes (she is the father of non-profit organization, The Refugee Camp Youth Project, whose manifesto is based on giving support to the community and up the character of living for inner-city children), Lauryn Hill has very often come into her own and The Miseducation of Lauryn Hill is the musical proof. As Lauryn Hill, the hip-hop groundbreaking genius, puts it, "I wish my music to meet real people. I`m still trying to visualize myself out, like most people_. because I`m still living and learning_"